Preview: “Shoes: Pleasure and Pain” at the V&A London

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When I heard my beloved V&A was going to open an exhibition called “Shoes: Pleasure and Pain” I was filled with excitement, after all, it focuses around my magic word: shoes.

Not only that, it looks at footwear extremes, a subject, in fact, I am particularly fascinated by. On top of it, these 250 pairs, spanning 2,000 years, 20 countries and 70 designers, chart cultural, sociological and historical significance of shoes, as well as their power of transformation, which I can personally vouch for. And obsession.

You can read my squees of excitement here when I found out about the exhibition – so you can only imagine the extra loud squee for me being at the preview and seeing it all three days before it opened to the public.

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Isabella Blow: Fashion Galore! exhibition at Somerset House

isabella blow exhibition - photo from somersethouse.org

Going straight to it: I was blown away by Isabella Blow: Fashion Galore exhibition at Somerset House in London.

If you can, get yourself there now and feast yourself on Isabella’s fabulous life. Well, at least the part that is shown, which I find only fair, as it is a celebration of all things Issie. Despite all the unhappiness and tragedy throughout her life, as Philip Treacy said, “Nothing about her was tragic. She was triumphant”.

isabella blow exhibition - photo from design_scene

Isabella Blow, fashion editor, consultant, muse and nurturer of young fashion talent was born English aristocracy and started her career as Anna Wintour’s assistant at Vogue US, only to come home and head fashion for Vogue, Tatler and The Sunday Times.

isabella blow exhibition - photo from vogue

Her quirkiness, creativity and wonderfully outrageous fashion sense was more than evident in her wonderful fashion edits. Sadly, her personal life was plagued by depression, infertility, cancer and multiple suicide bids, which eventually materialised, taking her away in 2007.

Blow is credited to discovering Philip Treacy, Alexander McQueen and Julien MacDonald, amongst other designers, and also models.

It was no surprise I would love the exhibition, being the huge millinery fan I am. Treacy’s amazing head pieces are an integral part of the exhibition, dotted around all over the place, as well as McQueen pieces – and I really like that the their stories appear entwined as they were in real life. It proves it takes one talent to know one. The what I now call “Blow triad” is very palpable: head in Treacy, body in McQueen and feet in Manolo Blahnik.

isabella blow exhibition - photo from design_scene

From all the wonder of feasting my eyes with glorious garments, a few caught my eye, including the fabulous Deborah Milner, A/W 1997 red velvet coat with fur collar. Sigh…

Another interesting aspect is the state of her personal garments. They show wear. And tear. This is something really important to me, as although I don’t share her careless attitude to these expensive items (she famously left shoes at the back of cabs – God forbid I will EVER do that; just the thought makes me shiver!), I believe every item should be worn and enjoyed to the maximum. Yes, a scuff, a stain might look ugly, but it gives the item life and tells a small story itself. And I think that is why they didn’t restore items.

In the various areas of the exhibition, we are taken through her life, her style, her influences and the celebration of British.

***SPOILER ALERT***

isabella blow exhibition - photo from design_scene

And the finale almost brought a tear to my eye – McQueen’s S/S 08 fashion show, a collection in collaboration with Philip Treacy and dedicated to Isabella after her death. The pieces are breathtaking, as well as the closing with the legacy of the unique legend that was Isabella Blow.

I had great fun and learnt a fair bit. I left with a sense of sadness for the losses fashion, and creativity, suffered.  But I am also grateful for the legacy, nicely condensed and exposed here, for all to see.

The Isabella Blow: Fashion Galore exhibition is on at Somerset House until March 2014 and you can book tickets via their website.

Image credits: Somerset House, Vogue UK and Design Scene. 

Read Vogue’s biography of Isabella Blow.